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From her first day in London in 2010 until now, and as she travels the world on photography assignments, Coco Capitán’s writings grant an insight into her free and instinctive creative process. Playful aphorisms and short poems address an array of issues with hints of humour and irony. She combines the serious with the mundane as she shares in her first text-based book social, metaphorical or sentimental moments with her witty tone and distinctive hand.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLondon-based artist Coco Capitán (born 1992, Spain) earned a BA in Fashion Photography at the London College of Fashion followed by an MA in Photography at the Royal College of Art. She  works  across  a  range  of  genres  including  photography,  painting,  mural,  text,  video  and  installation.  Capitán has  shot  campaigns  for  world-renowned  fashion  brands  and  magazines  including Vogue,  Dazed, Gucci, APC and Mulberry. 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During those years, Stagg worked as an editor for V magazine and as a consultant, creating copy for fashion brands. Through these jobs, she met and interviewed countless industry luminaries, celebrities, and artists, and learned about the quickly evolving strategies of branding. In \u003c\/span\u003e\u003ci\u003eSleeveless\u003c\/i\u003e\u003cspan\u003e, she exposes the mechanics of personal identity and its monetization that propelled the narrator of \u003cem\u003eSurvey\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003es\u003c\/em\u003e\u003cspan\u003e from a mall job in Tucson to international travel and internet fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eMIT Press, 2019\u003cbr\u003eSoftcover, 256pp\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":31578628489309,"sku":"","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/products\/Tenderbooks_WEB_297_x2_9d19833f-e9ab-4ca5-b26e-f61800c09dbb.jpg?v=1579968755"},{"product_id":"show-notes-dal-chodha","title":"SHOW NOTES - Dal Chodha","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA third edition of \u003cem\u003eSHOW NOTES\u003c\/em\u003e featuring an image shot by Jason Lloyd-Evans backstage at Rick Owens’s autumn\/winter 2017 menswear show.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe texts published in \u003ci\u003eSHOW NOTES \u003c\/i\u003eare the deconstructed diary entries of a frenzied writer attending fashion shows in London, Milan and Paris. Revised and rebooted from reports written for \u003ci\u003eWallpaper* \u003c\/i\u003emagazine over a period of three years, these reflections on clothes, stage sets and the language of PR insist on the authority of the word in an age and an industry possessed by the image. Although fashion revels in the power of its iconography, the endless scroll of our digital existence has made it impossible to see what is right in front of our eyes. \u003ci\u003eSHOW NOTES\u003c\/i\u003e challenges us to look again at dress to discover the complex reality of 21st century culture, with sartorial omens of climate change, the glittering catacomb of consumerism, the abolition of gender, the cocooning of gen-z, and the hypnotic impact of mass media. This is an original hybrid of journalism, poetry and provocation.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLondon-based writer and consultant Dal Chodha is Editor-in-chief of \u003c\/span\u003e\u003cspan\u003eArchivist Addendum\u003c\/span\u003e\u003cspan\u003e – a publishing project that explores the gap between fashion editorial and academe. 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Her novel, \u003cem\u003eSimple Passion\u003c\/em\u003e, was based on this affair, but here her writing is immediate and unfiltered. In these diaries it is 1989 and Annie is divorced with two grown sons, living in the suburbs of Paris and nearing fifty.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHer lover escapes the city to see her there and Ernaux seems to survive only in expectation of these encounters. She cannot write, she trudges distractedly through her various other commitments in the world, she awaits his next call; she lives merely to feel desire and for the next rendezvous. When he is gone and the moment of desire has faded, she feels that she is a step closer to death.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLauded for her spare prose, Ernaux here removes all artifice, her writing pared down to its most naked and vulnerable. Translated brilliantly for the first time by Alison L. 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In the aftermath of Davis’s brief stint in custody, we enter the strained relationship between Davis and the woman he will soon marry, Frances Taylor, whom he has recently pressured into ending her run as a performer on Broadway and retiring from modern dance and ballet altogether. Frances, who is increasingly subject to Davis’s temper—fueled by both his professional envy and substance abuse—reckons with her strict upbringing, and, through a fateful meeting with Lena Horne, the conflicting demands of motherhood and artistic vocation. Meanwhile, blowing off steam from his beating, Miles speeds across Manhattan in his Ferrari. Racing alongside him are recollections of a stony, young John Coltrane, a combative Charlie Parker, and the stilted world of the Black middle class he’s left behind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBlank Forms’s release of \u003cem\u003eBlue in Green\u003c\/em\u003e continues the contemporary reenagement with Brown’s work which began with last year’s new McSweeny’s reprint of Tragic Magic, the author’s first novel. Published in 1978 and edited by Toni Morrison, Tragic Magic concerns Melvin Ellington, a man jailed for protesting the Vietnam War; Brown began work on the novel while himself incarcerated on the same charges. In 1992, the author wrote Life During Wartime, a play about the death of street artist Michael Stewart, a victim of police brutality who died in custody. \u003cem\u003eBlue in Green\u003c\/em\u003e again interrogates detention’s personal, political, and cultural consequences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA historical novel much like his 1994 volume Darktown Strutters, the story of a minstrel performer, \u003cem\u003eBlue in Green\u003c\/em\u003e takes up the voices of a multitude of twentieth-century entertainers at a pivotal moment in American culture and race relations. Staging the conversations of not only Davis, Taylor, Horne, Parker, and Coltrane but also Eartha Kitt, Billie Holiday, and Bill Evans, Brown engages facts to explore relationships between artists of different generations, races, and genders, all of whom must negotiate their positions in what Davis irreverently calls “the business’ known as show.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWESLEY BROWN (b. 1945) is an Atlanta-based writer and educator whose work spans fiction, poetry, biography, theater, and film. His oeuvre is distinguished by its attention to the musicality of speech and its balance of humorous, ironic, and political engagement with American history. In 1956, while a student at State University of New York at Oswego, Brown joined the Student Nonviolent Coordinating Committee, moving south to register voters with the Mississippi Freedom Democratic Party near the Tennessee border, where he first began to write poetry. After an arrest at a demonstration in Jackson, Mississippi, he graduated college and moved to Rochester, New York, in 1968, where he became an active member of the Black Panther Party before returning to his native New York City to join writing workshops led by Sonia Sanchez and John Olliver Killens. In 1972 he was arrested as a conscientious objector to the Vietnam War; in a statement to the draft board he quoted the Panther’s Ten Point Program, adding, with his signature use of idiomatic expression, “If you can’t relate to that, you can walk chicken with your ass picked clean.” He served an eighteen month sentence at Lewisburg Federal Penitentiary in Pennsylvania, which informed the writing of his recently reissued first novel, Tragic Magic (Random House)—edited by Toni Morrison and released to wide acclaim by writers including James Baldwin, Donald Barthelme, and Ishmael Reed in 1978. His short fiction and essays have been published widely, from movement publications such as Liberator to glossies including Essence. For twenty-six years Brown taught literature and creative writing at Rutgers University in New Jersey. During this time he was involved with the National Association of Third World Writers; co-edited celebrated collections of multicultural American literature, authored the historical novel Darktown Strutters (Cane Hill, 1994) and award-winning plays including Boogie Woogie and Booker T. (1987) and Life During Wartime (1992); and wrote, with Thulani Davis, Toni Cade Bambara, and Amiri Baraka, the screenplay for W.E.B. Du Bois: A Biography in Four Voices (1996). After retiring, he relocated to New England, where he taught at Bard College at Simon’s Rock in Massachusetts and Bennington College in Vermont, and authored his third novel, Push Comes to Shove (Concord Free Press, 2009), and the short story collection Dance of the Infidels (Concord ePress, 2017).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Miles Davis was a cruel, narcissistic bully who hated his skin color and cultivated an image as that of a pug. He practiced by beating up his wife, Frances Taylor, and Paul Chambers, but when it came to his business he was a pussycat. He played at Birdland, owned by the mobsters and where musicians were regularly called niggers and short-changed. He knew better than to raise his fists at these guys. He squandered money on the mob’s products. The cop who beat him up was probably owned by the mob too. New York cops at the time, authoritarian, catholic, hated race mixing unless it was them doing it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWesley Brown is a writer’s writer. His dialog in \u003cem\u003eBlue in Green\u003c\/em\u003e is remarkable. He knows the varieties of the American language in and out. We get fascinating portraits of Dizzy Gillespie, Thelonious Monk, Billie Holiday, Clark Terry, Lena Horne, Katherine Dunham, Eartha Kitt, and others. An insider named Freeloader provides comic relief. Before the salespersons dictated trends in Black literature, a major publisher would have published this book. Thanks to Blank Forms and other midsize presses, the Black literary tradition, whose fictional standards were set by Brooks, Wright, Himes, Polite, Bambara, and others, is alive.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIshmael Reed, author of Mumbo Jumbo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBlank Forms, 2022\u003cbr data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e205 x 150mm","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":43504560931034,"sku":"","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/products\/Tenderbooks_WEB_20_x2-3_230936e3-e58a-4c65-ae2c-383149363af7.jpg?v=1669127271"},{"product_id":"through-the-vitriol-bug-shepherd-barron","title":"Through the Vitriol - Ivy Shepherd-Barron","description":"\u003cp\u003eA 64-page illustrated publication, combining an essay and a graphic narrative format to explore a trans perspective of the gender non-conforming representation we see on screen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCreated out of a frustration with current depictions, this publication looks to educate the reader on how to examine film for themselves, and offers a catalogue of resources to encourage further critical analysis, with 6 pages of film and TV recommendations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIvy Shepherd-Barron, 2022\u003cbr data-mce-fragment=\"1\"\u003eHandsewn softcover, 64pp\u003cbr data-mce-fragment=\"1\"\u003e184 x 142pp\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":43667042468058,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/products\/Tenderbooks_WEB_20_x2-8_62e65908-ab8f-432f-8311-d95536335af4.jpg?v=1675442460"},{"product_id":"the-other-side-a-journey-into-women-art-and-the-spirit-world-jennifer-higgie","title":"The Other Side: A Journey into Women, Art and the Spirit World - Jennifer Higgie","description":"\u003cp\u003eIt's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. 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Expanding on this central focus is a series of conversations between Trinh and film and sound scholars Patricia Alvarez Astacio and Benjamín Schultz-Figueroa; Erika Balsom; Lucie Kim-Chi Mercier; Domitilla Olivieri; Stefan Östersjö; Irit Rogoff; and Xiaolu Guo. These conversations date from 2016 to 2022 and are accompanied by an index of key concepts in the artist’s work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn in Vietnam, Trinh T. Minh-ha is a filmmaker, writer, and music composer. She is the author of twelve books, including, most recently, Lovecidal: Walking with the Disappeared (2016) and D-Passage: The Digital Way (2013), as well as the foundational Woman, Native, Other: Writing Postcoloniality and Feminism (1989). Her films and large-scale multimedia installations have been presented at Documenta 11, Kassel; La Triennale at the Palais de Tokyo, Paris; and the Whitney Biennial, New York; as well as the Yerba Buena Center for the Arts, San Francisco; the Kyoto Biennale; the Musée du Quai Branly, Paris; the Okinawa Prefectural Museum; the Guangzhou Triennial; and Manifesta 13, Marseille. Her films have been exhibited as part of numerous international film festivals and honored in over sixty-five retrospectives worldwide. 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