{"title":"Sound","description":"Tenderbooks collection of LPs and other sound material","products":[{"product_id":"heaven-is-real-john-maus-and-the-truth-of-pop-adam-harper","title":"Heaven is Real: John Maus and the Truth of Pop - Adam Harper","description":"\u003cp\u003eJohn Maus is one of the most intriguing artists in the millennial wave of lo-fi pop, assembling his unique and intimate language from synth pop, disco, baroque classical and church music. Yet Maus’s work is much more than another exercise in retroist hybridity, and his overtures on truth and love are, upon further listening, no mere ironic posturing. Does Maus have something to teach us about arriving at the truth through personal musical expression, or is he on a doomed Romantic adventure? Has he really discovered Heaven – and can he take us there?\u2028\u003cbr\u003e\u003cbr\u003ePrecinct, 2011\u003cbr\u003eSoftcover, 64pp\u003cbr\u003e174 x 108 mm\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":42759746755,"sku":"","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/products\/Tenderbooks-790_e7a3a057-b4da-4eca-aadf-ddca9ea09417.jpg?v=1578853093"},{"product_id":"the-hacienda-must-be-built-jon-savage-ed","title":"The Haçienda Must be Built - Jon Savage (ed.)","description":"\u003cdiv class=\"page\" title=\"Page 9\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSAVAGE, Jon (ed.)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Haçienda Must be Built.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFirst edition. Quarto. Harlow: International Music Publications \u0026amp; Panda Press, 1992. A very good copy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGlossy photo book with 100 colour photographs, artwork, essays, and chronology. Iconic work, with its own FAC number (351), documenting the history of the Manchester club scene. Designed by Peter Saville Associates. With commentary from Jon Savage, Tony Wilson, Peter Hook, \u0026amp; Rob Gretton.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":28267731517533,"sku":"","price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-4_e989af78-a120-4911-a572-87ce7efb0c15.jpg?v=1762612368"},{"product_id":"joanne-sidsel","title":"ALIEN BABY 0 Rules for Life - Joanne Robertson \u0026 Sidsel Meineche Hansen","description":"\u003cp\u003e\u003cem\u003eALIEN BABY 0 Rules for life \u2028\u003c\/em\u003e\u003cbr\u003eA new vinyl record of music by Joanne Robertson \u0026amp; Sidsel Meineche Hansen \u003cbr\u003e\u003cbr\u003eA limited edition 12” vinyl with 16 tracks in an edition of 250 copies with full colour sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTRACK LIST:\u003cbr\u003e\u003cbr\u003eSIDE 1 \u2028\u003cbr\u003e1. Angel - 1:51\u003cbr\u003e2. Doll - 5:36\u003cbr\u003e3. Ew - 5:54\u003cbr\u003e4. I am a butterfly - 0:06\u003cbr\u003e5. road - 0:56\u003cbr\u003e6. Love life - 0:35\u003cbr\u003e7. Jo Sid - 3:14\u2028\u2028\u003cbr\u003e\u003cbr\u003eSIDE 2\u003cbr\u003e1. Self lovesong - 0:30\u003cbr\u003e2. Anarchy in the UK - 0:29\u003cbr\u003e3. Death - 0:15\u003cbr\u003e4. Jo pee - 0:30\u003cbr\u003e5. Kitchen floor - 2:33\u003cbr\u003e6. Together butterflies - 1:18\u003cbr\u003e7. I am on crutches and tube - 0:25 \u003cbr\u003e8. different train - 3:56\u003cbr\u003e9. Alien Baby - 1.16\u003cbr\u003e\u003cbr\u003ePreview tracks available here: \u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: #181616;\"\u003e\u003ca style=\"color: #181616; text-decoration: underline;\" href=\"https:\/\/soundcloud.com\/tenderbooks\" target=\"_blank\"\u003ehttps:\/\/soundcloud.com\/tenderbooks\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e* A free digital download is available to redeem against every order. \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePlease contact us to receive your code * \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eALIEN BABY 0 Rules for life\u003c\/em\u003e is published by Tenderbooks and supported by Arts Council England, 2021 \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #1d1818;\"\u003e\u003cstrong\u003eJoanne Roberston\u003c\/strong\u003e is a visual artist, musician and poet based in Glasgow. Recent solo exhibitions include ‘Feels’, Edouard Montassut, Paris, 2021, and, ’Natural Behavior’, Svetlana, New York, 2019. Recent publications include \u003ca style=\"color: #1d1818;\" href=\"https:\/\/tenderbooks.live\/products\/1971-a-year-in-record-review-poems-byron-coley-joanne-robertson?_pos=1\u0026amp;_sid=e903771b2\u0026amp;_ss=r\" target=\"_blank\"\u003e\u003cem\u003e1971 (a year in record review poems)\u003c\/em\u003e\u003c\/a\u003e and \u003ca style=\"color: #1d1818;\" href=\"https:\/\/tenderbooks.live\/products\/1979-songbook-byron-coley-joanne-robertson?_pos=8\u0026amp;_sid=e903771b2\u0026amp;_ss=r\u0026amp;variant=29155962945629\" target=\"_blank\"\u003e\u003cem\u003e1979 Songbook\u003c\/em\u003e\u003c\/a\u003e, both in collaboration with writer Byron Coley, published by Tenderbooks and Bad Taste Press.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e‘With a lovely series of solo LPs, Joanne Robertson has become known for the lyrical drifting beauty of her music. \u003cem\u003eThe Lighter\u003c\/em\u003e (Textile), \u003cem\u003eBlack Moon Days\u003c\/em\u003e (Feeding Tube), \u003cem\u003eWildflower\u003c\/em\u003e (Escho) and\u003cem\u003e Painting Stupid Girls\u003c\/em\u003e (World Music) have all been hailed as brilliant extensions of the avant garde wing of the femme-folk tradition. She has also remained active with her friend, Dean Blunt, issuing the \u003cem\u003eWalhalla\u003c\/em\u003e LP (Textile) as a duo, and appearing on his recordings, the most recent being \u003cem\u003eBlack Metal 2\u003c\/em\u003e (Rough Trade).’ Byron Coley\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSidsel Meineche Hansen\u003c\/strong\u003e is a London based artist. Her artworks vary in medium and form spanning wood, clay and metals through which crafted objects are made, to Computer Generated Imagery, Virtual Reality and other reproducible mediums. Her work also includes musical collaborations with musician Nkisi and the poet Lydia Lunch. She collaborates regularly with London-based Design a Wave and Copenhagen-based Brynje recently released on the LP \u003cem\u003esex robot\u003c\/em\u003e from 2019. Joanne Robertson and Sidsel Meineche Hansen have previously collaborated together along with artist and writer Reba Maybury on the 2020 video \u003cem\u003e12 Rules for Life\u003c\/em\u003e, a reinterpretation of Dies irae, the thirteenth-century sequence for mourning the dead. She has an upcoming solo-exhibition at Bergen Kunsthalle in November 2021.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":37950754783416,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/products\/record.jpg?v=1639064691"},{"product_id":"fifty-sounds","title":"Fifty Sounds - Polly Barton","description":"Why Japan? In \u003cem\u003eFifty Sounds\u003c\/em\u003e, winner of the 2019 Fitzcarraldo Editions Essay Prize, Polly Barton attempts to exhaust her obsession with the country she moved to at the age of 21, before eventually becoming a literary translator. From min-min, the sound of air screaming, to jin-jin, the sound of being touched for the very first time, from hi’sori, the sound of harbouring masochist tendencies, to mote-mote, the sound of becoming a small-town movie star, \u003cem\u003eFifty Sounds\u003c\/em\u003e is a personal dictionary of the Japanese language, recounting her life as an outsider in Japan. Irreverent, humane, witty and wise, \u003cem\u003eFifty Sounds\u003c\/em\u003e is an exceptional debut about the quietly revolutionary act of learning, speaking, and living in another language.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFitzcarraldo Editions, 2021\u003cbr data-mce-fragment=\"1\"\u003eSoftcover, 360pp\u003cbr data-mce-fragment=\"1\"\u003e195 x 127 mm","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":39533936214200,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/products\/Tenderbooks_WEB_20_x2-23_af5dacba-0d9e-4da4-8dae-efded7d3dca6.jpg?v=1618404870"},{"product_id":"quantum-listening-pauline-oliveros","title":"Quantum Listening - Pauline Oliveros","description":"\u003cp\u003eIn response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began experimenting with meditation, movement and activism in her compositions. Fascinated by sound and consciousness in daily life, Oliveros developed a series of Sonic Meditations that would lead to Deep Listening – a practice for healing and transformation open to all.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQuantum Listening\u003c\/em\u003e is a manifesto for listening as activism. Through simple yet profound exercises, Oliveros shows how Deep Listening is the foundation for a radically transformed social matrix in we act from compassion and peace. This timely new edition brings Oliveros’ vision together with a new Foreword and Introduction by Laurie Anderson and IONE.\u003c\/p\u003e\n\u003cp\u003eSilver Press, 2024\u003cbr\u003eSoftcover, 64pp \u003cbr\u003e152 x 114mm \u003cbr\u003e\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":42963459145946,"sku":"","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-29_5e7f6507-aaa7-4337-8f89-97c3eb83db60.jpg?v=1731602849"},{"product_id":"blue-in-green-wesley-brown","title":"Blue in Green - Wesley Brown","description":"The latest work from the veteran novelist called “one hell of a writer” by James Baldwin, “wonderfully wry” by Donald Barthelme, and a “writer’s writer” by Ishmael Reed, Blue in Green narrates one evening in August 1959, when, only eight days after the release of his landmark album Kind of Blue, Miles Davis is assaulted by a member of New York City Police Department outside of Birdland. In the aftermath of Davis’s brief stint in custody, we enter the strained relationship between Davis and the woman he will soon marry, Frances Taylor, whom he has recently pressured into ending her run as a performer on Broadway and retiring from modern dance and ballet altogether. Frances, who is increasingly subject to Davis’s temper—fueled by both his professional envy and substance abuse—reckons with her strict upbringing, and, through a fateful meeting with Lena Horne, the conflicting demands of motherhood and artistic vocation. Meanwhile, blowing off steam from his beating, Miles speeds across Manhattan in his Ferrari. Racing alongside him are recollections of a stony, young John Coltrane, a combative Charlie Parker, and the stilted world of the Black middle class he’s left behind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBlank Forms’s release of \u003cem\u003eBlue in Green\u003c\/em\u003e continues the contemporary reenagement with Brown’s work which began with last year’s new McSweeny’s reprint of Tragic Magic, the author’s first novel. Published in 1978 and edited by Toni Morrison, Tragic Magic concerns Melvin Ellington, a man jailed for protesting the Vietnam War; Brown began work on the novel while himself incarcerated on the same charges. In 1992, the author wrote Life During Wartime, a play about the death of street artist Michael Stewart, a victim of police brutality who died in custody. \u003cem\u003eBlue in Green\u003c\/em\u003e again interrogates detention’s personal, political, and cultural consequences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA historical novel much like his 1994 volume Darktown Strutters, the story of a minstrel performer, \u003cem\u003eBlue in Green\u003c\/em\u003e takes up the voices of a multitude of twentieth-century entertainers at a pivotal moment in American culture and race relations. Staging the conversations of not only Davis, Taylor, Horne, Parker, and Coltrane but also Eartha Kitt, Billie Holiday, and Bill Evans, Brown engages facts to explore relationships between artists of different generations, races, and genders, all of whom must negotiate their positions in what Davis irreverently calls “the business’ known as show.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWESLEY BROWN (b. 1945) is an Atlanta-based writer and educator whose work spans fiction, poetry, biography, theater, and film. His oeuvre is distinguished by its attention to the musicality of speech and its balance of humorous, ironic, and political engagement with American history. In 1956, while a student at State University of New York at Oswego, Brown joined the Student Nonviolent Coordinating Committee, moving south to register voters with the Mississippi Freedom Democratic Party near the Tennessee border, where he first began to write poetry. After an arrest at a demonstration in Jackson, Mississippi, he graduated college and moved to Rochester, New York, in 1968, where he became an active member of the Black Panther Party before returning to his native New York City to join writing workshops led by Sonia Sanchez and John Olliver Killens. In 1972 he was arrested as a conscientious objector to the Vietnam War; in a statement to the draft board he quoted the Panther’s Ten Point Program, adding, with his signature use of idiomatic expression, “If you can’t relate to that, you can walk chicken with your ass picked clean.” He served an eighteen month sentence at Lewisburg Federal Penitentiary in Pennsylvania, which informed the writing of his recently reissued first novel, Tragic Magic (Random House)—edited by Toni Morrison and released to wide acclaim by writers including James Baldwin, Donald Barthelme, and Ishmael Reed in 1978. His short fiction and essays have been published widely, from movement publications such as Liberator to glossies including Essence. For twenty-six years Brown taught literature and creative writing at Rutgers University in New Jersey. During this time he was involved with the National Association of Third World Writers; co-edited celebrated collections of multicultural American literature, authored the historical novel Darktown Strutters (Cane Hill, 1994) and award-winning plays including Boogie Woogie and Booker T. (1987) and Life During Wartime (1992); and wrote, with Thulani Davis, Toni Cade Bambara, and Amiri Baraka, the screenplay for W.E.B. Du Bois: A Biography in Four Voices (1996). After retiring, he relocated to New England, where he taught at Bard College at Simon’s Rock in Massachusetts and Bennington College in Vermont, and authored his third novel, Push Comes to Shove (Concord Free Press, 2009), and the short story collection Dance of the Infidels (Concord ePress, 2017).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Miles Davis was a cruel, narcissistic bully who hated his skin color and cultivated an image as that of a pug. He practiced by beating up his wife, Frances Taylor, and Paul Chambers, but when it came to his business he was a pussycat. He played at Birdland, owned by the mobsters and where musicians were regularly called niggers and short-changed. He knew better than to raise his fists at these guys. He squandered money on the mob’s products. The cop who beat him up was probably owned by the mob too. New York cops at the time, authoritarian, catholic, hated race mixing unless it was them doing it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWesley Brown is a writer’s writer. His dialog in \u003cem\u003eBlue in Green\u003c\/em\u003e is remarkable. He knows the varieties of the American language in and out. We get fascinating portraits of Dizzy Gillespie, Thelonious Monk, Billie Holiday, Clark Terry, Lena Horne, Katherine Dunham, Eartha Kitt, and others. An insider named Freeloader provides comic relief. Before the salespersons dictated trends in Black literature, a major publisher would have published this book. Thanks to Blank Forms and other midsize presses, the Black literary tradition, whose fictional standards were set by Brooks, Wright, Himes, Polite, Bambara, and others, is alive.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIshmael Reed, author of Mumbo Jumbo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBlank Forms, 2022\u003cbr data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e205 x 150mm","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":43504560931034,"sku":"","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/products\/Tenderbooks_WEB_20_x2-3_230936e3-e58a-4c65-ae2c-383149363af7.jpg?v=1669127271"},{"product_id":"curtis-mayfield","title":"Curtis Mayfield","description":"The poetics of music: a series of zines that focus on the poetics of these composers lyrics and the exchange of our interaction with lyrics being sung rather than read.\u003cbr\u003e\u003cbr\u003eBlackMass Publishing is an independent publisher promoting and publishing books and zines by Black artists founded by Yusuf Hassan.\u003cbr\u003e\u003cbr\u003eAt once a structure of coherent units and a collection of disjointed parts, BlackMass invokes an aggregate of Blackness, of matter in resistance. 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Davis has illuminated, the alliance is profoundly historic: as far back as 1672, fashion periodicals have covered clothes and music as equally essential components of an elegant, fashionable lifestyle.  Music, in fact, surrounds fashion: it enwraps makers, mediators, and consumers alike in ephemeral, yet intensely meaningful, signifiers of taste. Countless designers have come to fashion through musical subcultures, and labors in ateliers to particular playlists. Indeed, style most often has a soundtrack of its own, or dances to a specific tune.  Fashion emits sounds before and after the musical. The clicking of heels, the rustling of a sweater, the hissing of a zipper. The ambient humming of a sewing machine; the conclusive “beep” from a store cashier. For the 8th issue of Viscose, we set out to examine the sonic landscapes of fashion in a most expansive manner. In billing our issue “sound” we seek to gesture to more visually obscure and materially ephemeral interplays between fashion and the auditory—in wardrobes and shops, on the body and in the nightclub.  With music culture at the center of our inquiry, we hope to seek beyond and towards the more ephemeral sounds the clothing and fashion emits, records, and appropriates. 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While visiting Tokyo’s Harajuku district Sheila became captivated by the crowds of theatrically-dressed teenagers who met to dance to their favourite music. Making the connection between Japanese and British youth cults of the time, Rock knew that Siouxsie would be a perfect to model for British post-punk take on this street-style.\u003c\/p\u003e\n\u003cp\u003eThe photo shoot took place at Rock’s Ladbroke Grove studio as a collaboration with London designer Lloyd Johnson. The graphic lines and boldness of the fabrics from Johnson’s ‘Rock ’n’ Roll Suicide’ collection matched Siouxsie’s energy and striking look – and also reflected the spirit of the youth tribes who would congregate at places like Kensington Market and Kings Road, Chelsea.\u003c\/p\u003e\n\u003cp\u003e“When Siouxsie stepped into the clothes, it was like a light bulb came on. 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